Apparently, Infrasonic owns a trademark on the phrase, “Hear What You’re Missing.” They’re certainly justifiably confident in holding that trademark. Infrasonic makes a variety of products, including reference monitors, FireWire/USB/PCI audio interfaces, MIDI controllers and microphones, and as far as this blogger can tell, they’re all top-notch. These monitors, the Blow 4D, are a fantastic example:
Bi-Amplified Nearfield Studio Monitor Speakers w/ Built-in 24-bit/192kHz DAC, Bass Reflex & Much More
The Infrasonic Blow 4Ds are a pair of 55-Watt, 4″ bi-amplified near-field studio monitors. They feature a two-way design, a bass reflex system and natural silk dome tweeters in order to reproduce the broad frequency response and overall stellar-quality sound that they do. Their high-strength MDF composite cabinet design also contributes to that.
The Blow 4Ds have both analog AND digital inputs, with a stunning 24-bit/192 kHz DAC built right into it.
Don’t be fooled by the “BLOW4″ you see in the picture. It’s easy as pie to tell the difference. The difference (and, if I may, what a beautiful one it is) is that the Blow 4Ds come equipped with a DA-912 digital interface module, allowing users to utilize a number of digital inputs such as AEU/EBU(XLR), S/PDIF(RCA) and an RCA thru connector.
The DAC (Digital-to-Analog Converter) in the DA-912 has an astonishing 24-bit/192kHz resolution which translates to 123 dB of dynamic range. Keen observers will also notice the variety of filters above the DA-912 module that help control low and high frequencies in a wide variety of ways. Truly, the Infrasonic Blow 4Ds are some of the most outstanding near-field studio monitors on the market today. With speakers this accurate and powerful, you’ll surely “Hear What You’re Missing.™”
Make sure to click one of the images or this link to check out the Blow 4D product page for further information!
