Tag: duo-capture

Defy Mediocrity With Roland’s “CAPTURE” Series

Roland UA-11 DUO-CAPTURE     Roland UA-33 TRI-CAPTURE     Roland UA-55 QUAD-CAPTURE     Roland UA-1010 OCTA-CAPTURE

I’m currently wearing a shirt with the following words printed on it: “The future of music and art must not belong to the mediocre.” With any of Roland’s CAPTURE Series audio interfaces, and with your artistic input, you can give form to your creative vision(s); you can create something unique for future generations to enjoy for generations to come.

Octopus

4 out of 5 octopi recommend the OCTA-CAPTURE:

Roland UA-1010 OCTA-CAPTURE

Put plainly, these audio interfaces are phenomenal. The OCTA-CAPTURE in particular is a real beast. With exquisite recording resolutions of up to 24-bit/192kHz, Roland’s proprietary VS Streaming low latency driver technology, and the inclusion of Cakewalk’s powerful SONAR X1 LE (not to mention a current promotion that enables users to download SONAR X1 Studio for free), it’s difficult to overstate the awesomeness of this baby.

 

Discover duality with Roland’s DUO-CAPTURE:

Roland UA-11 DUO-CAPTURE

For those of you out there who might not need that much awesomeness; those of you who can do a lot with a little, Roland also makes the beautifully affordable DUO-CAPTURE audio interface. The DUO-CAPTURE USB audio interface comes equipped with two audio inputs and outputs along with dual headphone outputs (which are great for musician/engineer production sessions). It also comes with high-stability, low-latency drivers for both Mac and PC operating systems (although SONAR X1 LE is solely for Windows). With its unique, slim-line design and stable performance, the DUO-CAPTURE is the perfect audio interface for recording musicians on the go.

 

TRI-CAPTURE demonstrates the power of three!

Roland UA-33 TRI-CAPTURE

For anyone who needs a little more bang for their buck, such as an XLR input and/or a S/PDIF out, the Roland TRI-CAPTURE is right up your alley. The TRI-CAPTURE has a feature called “loop back,” which enables users to record along with music that’s being played back from the computer. It also has more detailed knobs, buttons and LEDs for greater control over your recordings. It supports phantom power for condenser mics and has a Hi-Z switch for guitarists. Additionally, like all other interfaces in this series, it too comes with a copy of Cakewalk’s SONAR X1 LE.

 

QUAD-CAPTURE = pro performance for portable productions

UA-55

The enthusiasm of our aforementioned cephalopod friends for the OCTA-CAPTURE aside, the QUAD-CAPTURE performs spectacularly well next to its brother. It has 24-bit/192kHz recording resolution, VS Streaming technology, AUTO-SENS automatic level adjustment, and VS Preamps just like the OCTA-CAPTURE. This interface is one of the best you’ll find in its price range, in this blogger’s opinion. This one is geared towards musicians and engineers who certainly take their craft seriously, but who might not need (or be able to afford) the flagship of the CAPTURE series, the OCTA-CAPTURE.

 
So, what are you waiting for? Don’t let octopi have all the fun! Pick up your Roland CAPTURE Series audio interface today, and be sure to grab the complimentary, comprehensive 178-page PDF guide to the SONAR DAW behind the links at the bottom of the product pages.

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