Tag: recording

Capture Every Moment! – BELVA BCMDVR1 In-Car DVR System

BELVA BCMDVR1Rearview Mirror with Built-In HD Camera/DVR

Here at Sonic Electronix, we’ve come to expect innovative, high-quality products from BELVA, and their latest BCMDVR1 system has certainly lived up to our expectations. This feature-rich in-car DVR system gives the user the ability to capture every moment out on the road, from those once-in-a-lifetime meteor showers to the full occurrence of a car accident. The BCMDVR1 boasts a rich list of unique and useful features, including but definitely not limited to:

  • Auxiliary Input – Record from a rearview backup camera or alternate angle!
  • High-Definition Camera – Records in HD 720p @ 30 fps and captures JPEG stills!
  • Built-in Microphone & Mono Speaker – Record audio & video!
  • 1,2, & 5 Minute Recording Increments -Saves footage in individual files for easy access!
  • G-Force Sensor – Triggers recording when rapid deceleration occurs!

Capture Priceless Moments

While we all hope for an uneventful commute, every now and then something unexpected is bound to happen. With the BELVA BCMDVR1, you can record once-in-a-lifetime events to share with your friends, or to help you become the next YouTube sensation! If you’re a driver at heart, this system is great at capturing high-speed canyon runs and other adventures. Here are some of our favorite dash-cam captures on YouTube:

http://www.youtube.com/watch?v=zIwm_4Yy4Hc

Protect Yourself From Fraud

Unfortunately there are individuals who are willing to throw themselves in front of a moving car in order to scam you and your insurance company. The BELVA BCMDVR1 is the best way to protect yourself  in the event of an accident you didn’t cause or a phony insurance claim. Even if the other driver has no ill-intention, video evidence is still a great way to settle the “he said/she said” debate with the insurance company.

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Defy Mediocrity With Roland’s “CAPTURE” Series

Roland UA-11 DUO-CAPTURE     Roland UA-33 TRI-CAPTURE     Roland UA-55 QUAD-CAPTURE     Roland UA-1010 OCTA-CAPTURE

I’m currently wearing a shirt with the following words printed on it: “The future of music and art must not belong to the mediocre.” With any of Roland’s CAPTURE Series audio interfaces, and with your artistic input, you can give form to your creative vision(s); you can create something unique for future generations to enjoy for generations to come.

Octopus

4 out of 5 octopi recommend the OCTA-CAPTURE:

Roland UA-1010 OCTA-CAPTURE

Put plainly, these audio interfaces are phenomenal. The OCTA-CAPTURE in particular is a real beast. With exquisite recording resolutions of up to 24-bit/192kHz, Roland’s proprietary VS Streaming low latency driver technology, and the inclusion of Cakewalk’s powerful SONAR X1 LE (not to mention a current promotion that enables users to download SONAR X1 Studio for free), it’s difficult to overstate the awesomeness of this baby.

 

Discover duality with Roland’s DUO-CAPTURE:

Roland UA-11 DUO-CAPTURE

For those of you out there who might not need that much awesomeness; those of you who can do a lot with a little, Roland also makes the beautifully affordable DUO-CAPTURE audio interface. The DUO-CAPTURE USB audio interface comes equipped with two audio inputs and outputs along with dual headphone outputs (which are great for musician/engineer production sessions). It also comes with high-stability, low-latency drivers for both Mac and PC operating systems (although SONAR X1 LE is solely for Windows). With its unique, slim-line design and stable performance, the DUO-CAPTURE is the perfect audio interface for recording musicians on the go.

 

TRI-CAPTURE demonstrates the power of three!

Roland UA-33 TRI-CAPTURE

For anyone who needs a little more bang for their buck, such as an XLR input and/or a S/PDIF out, the Roland TRI-CAPTURE is right up your alley. The TRI-CAPTURE has a feature called “loop back,” which enables users to record along with music that’s being played back from the computer. It also has more detailed knobs, buttons and LEDs for greater control over your recordings. It supports phantom power for condenser mics and has a Hi-Z switch for guitarists. Additionally, like all other interfaces in this series, it too comes with a copy of Cakewalk’s SONAR X1 LE.

 

QUAD-CAPTURE = pro performance for portable productions

UA-55

The enthusiasm of our aforementioned cephalopod friends for the OCTA-CAPTURE aside, the QUAD-CAPTURE performs spectacularly well next to its brother. It has 24-bit/192kHz recording resolution, VS Streaming technology, AUTO-SENS automatic level adjustment, and VS Preamps just like the OCTA-CAPTURE. This interface is one of the best you’ll find in its price range, in this blogger’s opinion. This one is geared towards musicians and engineers who certainly take their craft seriously, but who might not need (or be able to afford) the flagship of the CAPTURE series, the OCTA-CAPTURE.

 
So, what are you waiting for? Don’t let octopi have all the fun! Pick up your Roland CAPTURE Series audio interface today, and be sure to grab the complimentary, comprehensive 178-page PDF guide to the SONAR DAW behind the links at the bottom of the product pages.

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DAWs, Automation, and the PreSonus FaderPort

On Leap Year, February 29th, we featured a pretty awesome piece of gear by PreSonus called the FaderPort as the Daily Deal. Now, despite Sonic Electronix making great strides in pro and home audio, we’re still primarily known for our car audio products. Many of our customers probably have no idea what a unit like the FaderPort would even be used for… until now. I hope you’re listening, because school’s now in session!

Single Channel USB Automation Controller with Transport Controls

DAWs and Automation

First of all, “DAW” stands for “Digital Audio Workstation,” and they are the means through which virtually all music is recorded, edited, mixed and mastered nowadays. Secondly, one of the great things about DAWs is that they have something called “automation,” that was carried over from those huge, old-school mixing consoles that were their predecessors.

Basically, automation is a way to non-destructively change some aspect of your audio over time in a mix. Some common examples are volume, muting, panning and DSP (Digital Signal Processing) effect levels. To break it down a little further, let me give a practical example: let’s say you’re mixing a song and you notice that between 1:00 and 1:05, the song gets quieter than you’d like it to be. A little automation can fix that in a snap!

Automation modes

It would be near impossible for me to speak for all DAWs, but the two most popular ones, Apple’s Logic and Avid’s Pro Tools, have four main automation modes:

  1. Read:
  2. The default automation mode. All this means is that your DAW will follow any automation data that exists on your track.

    Automation Read
    Read Mode
  3. Touch:
  4. In this mode, automation data will begin writing once you “touch” a fader, button or knob: either using a mouse in the DAW program or with your finger(s) through tangible faders, buttons and knobs like those on the PreSonus FaderPort.

    As soon as you let go, it will snap back to wherever the playhead was on the automation line when you pressed play, and will resume reading any automation data that’s on the track. Pro Tools even allows you to set the speed of the snap back.


    Touch Mode
  5. Latch:
  6. This mode is like Touch mode, except that instead of snapping back to where it was when you pressed Play, it remains at the level you leave it at. Like both Touch and Write Mode, Latch will overwrite any automation data it comes across.

    Unlike Write Mode, however, neither Touch nor Latch Mode will overwrite automation data without you touching a fader, knob and/or button; both modes will simply read automation data as would normally occur in Read Mode.

    Automation Latch
    Latch Mode
  7. Write:
  8. This mode will start writing automation data wherever the (vertical) playhead sits on that bold, black (horizontal) automation line, destructively overwriting whatever automation data it comes across.

    In the picture to the right, the red line you see is the automation data being written. As soon as I press Stop on the DAW, all that automation data above the red line will be erased. (Also, keep in mind that you can Undo those changes.)

    Automation Write
    Write Mode

The PreSonus FaderPort:

So, how does that all tie in? Well, the FaderPort can help you do all that stuff with a tangible fader, buttons and knobs, which minimizes time wasted having to navigate around with your mouse, not to mention learning scads of keyboard shortcuts and such.

As a pro audio engineer myself, let me tell you, a device like the FaderPort is tremendously helpful and is a steal at its current price; especially for those of us on a tighter budget.

Anyway, that about wraps it up! I hope you all learned something and will pick up one of those sweet FaderPorts before they’re gone!

FaderPort
Pick up yours today!

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